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HSIN-YUN HUANG, VIOLA Hsin-Yun Huang is firmly established since 1993 as one of the leading violists of her generation. Virtually simultaneously, in that year, she won the top prizes in the ARD International Music Competition in Munich and the highly prestigious Bunkamura Orchard Hall Award, which included a scholarship grant, and concerto and recital appearances in Japan. Ms. Huang was also the youngest-ever gold medalist in the 1988 Lionel Tertis International Competition on the Isle of Man. As a result of these and other successes, she has been telecast in concerto appearances with the Bavarian Radio Orchestra in Munich, the Zagreb Soloists in Paris and the Tokyo Philharmonic in Tokyo; other significant appearances include live broadcast performances with the Berlin Radio Symphony, the Russian State Philharmonic, and the National Symphony of Taiwan, among others. Recent solo highlights included collaboration with London Sinfonia in South America, with Naumberg Orchestra in Central Park, with ICE at Miller Theater, and with Children Orchestra Society at Alice Tully Hall. A native of Taiwan, Ms. Huang currently resides in New York, and is an active soloist and chamber musician in the U.S., the Far East, and Europe. She has participated in various prominent chamber music festivals, including the Rome Chamber Music Festival, Music@Menlo, Moritzburg Festival in Dresden, Spoleto Festivals in Italy as well as Charleston, SC, Cartagena Festival in Colombia, Chamber Music Northwest, the Marlboro Music Festival, Prussia Cove, England, St. Nazaire in France, Bridgehampton, the El Paso Chamber Music Festival, the Vancouver Chamber Music Festival, Festival de Divonne in France, the Appalachian Festival, the Rockport Chamber Music Festival, the Salt Bay Chamberfest, the Newport Festival, and many others. She has collaborated with artists such as Yo-Yo Ma, Jaime Laredo, Joshua Bell, Joseph Suk, Menahem Pressler, the Guarneri, Juilliard, Brentano, Orion, St. Lawrence, and the Johannes String Quartets. She has recorded Mozart Quintet with the Brentann String Quartet and presented the Mozart Quintets with them under the auspices of Carnegie Hall in 2007. Ms. Huang has recently embarked on a series of major commissioning projects for solo viola and chamber ensemble. In July 2006, she premiered a new work from Houston-based Taiwanese composer Shih-Hui Chen, Shu Shon Key (Remembrance) with the Broyhill Chamber Ensemble at An Appalachian Summer Festival in North Carolina. The work was co-commissioned by the festival along with Chinese Performing Arts, and has received performances at Boston’s Jordan Hall and Da Camera of Houston, the Evergreen Symphony Orchestra has commissioned a version of the work for solo viola and orchestra. A new work from Steven Mackey, also for solo viola and chamber ensemble, received its premiere at the Aspen Music Festival in the summer of 2007. Subsequent performances included presentations by the Fulcrum Point New Music Project in Chicago, the International Viola Congress 2008, the La Jolla Summer Festival, and at Princeton University. A new disc, Viola Viola, containing both works, will be released by Bridge Record in the fall of 2012. Ms. Huang was a member of the Borromeo String Quartet from 1994–2000. With the Quartet, she participated in festivals worldwide and in such prominent venues as New York’s Alice Tully Hall, London’s Wigmore Hall, Berlin’s Philharmonie, and Japan’s Casals Hall. In 1998, the Borromeo String Quartet was awarded the prestigious Cleveland Quartet Award and was chosen by the Chamber Music Society of Lincoln Center to be members of “CMS Two” and featured in a “Live from Lincoln Center” telecast. She is currently a founding member of the Variation String Trio with violinist Jennifer Koh and cellist Wilhelmina Smith. Hsin-Yun Huang came to England at the age of fourteen to study at the Yehudi Menuhin School with David Takeno. She continued her studies at the Curtis Institute in Philadelphia with Michael Tree, where she earned her Bachelor of Music degree, and at the Juilliard School with Samuel Rhodes, where she earned her Master of Music. She is a dedicated teacher and currently serves on the faculties of the Juilliard School and the Curtis Institute of Music.

JEEWON PARK, PIANO Praised for her “deeply reflective playing”(Indianapolis Star) and “infectious exuberance” (New York Times), Korean-born pianist Jeewon Park has garnered the attention of audiences for her dazzling technique and poetic lyricism. Since making her debut at the age of 12, performing Chopin’s First Concerto with the Korean Symphony Orchestra. Pianist Jeewon Park has performed as a recitalist, soloist, and chamber musician in prestigious venues worldwide, including Carnegie Hall, Lincoln Center, Merkin Hall, 92nd Street Y, Metropolitan Museum of Art and Seoul Arts Center. She is a frequent performer at Bargemusic and Caramoor International Music Festival where she was named a Rising Star in 2007. A passionate chamber musician, she has appeared at prominent festivals throughout the world, including Seattle Chamber Music Society, Lake Champlain, Spoleto USA, Bridgehampton, Lake Champlain, Manchester, Seoul Spring, Great Mountains (Korea), Tucson, Appalachian Summer, Central Vermont, Taos, Eastern Music Festival, Emilia-Romagna (Italy), Music Alp in Courchevel (France), and Kusatsu Summer Music (Japan). Since 2012, She has served as the co-artistic director, along with her husband, cellist Edward Arron, of the Performing Artists in Residence series at the Clark Art Institute. In 2021, Ms. Park’s recording of Beethoven’s Complete Works for Cello and Piano with cellist Edward Arron was released on the Aeolian Classics Record Label. Subsequently, they received the Samuel Sanders Collaborative Artists Award from the Classical Recording Foundation. She came to the US in 2002 after winning all major competitions in Korea. Park is a graduate of Yonsei University, The Juilliard School, Yale University and SUNY Stony Brook where she earned her DMA.

SUNDAY, DECEMBER 18, 2016 AT 3 PM Mariko Anraku, harp; Emmanuel Ceysson, harp; Leading members of the Met Orchestra BUY TICKETS David Chan, violin CATHERINE RO, VIOLIN JERRY GROSSMAN, CELLO EMMANUEL CEYSSON, HARP “Ceysson is a rising star of the harp world…Both his technique and his musicianship are virtually flawless…It was an impressive and deeply involving evening.” – The Washington Post ÉRIK GRATTON, FLUTE GILAD COHEN, COMPOSER Rafael Figueroa, cello Principal Cello, Met Orchestra DOV SCHEINDLIN, VIOLA MARIKO ANRAKU, HARP “…a manifestation of grace and elegance.” – The Jerusalem Post INN-HYUCK CHO, CLARINET Principal Clarinet Met Orchestra MELINDA WAGNER, COMPOSER “Melinda Wagner’s “Pan Journal” is a work by a top professional who knows how to keep the ears and brains of her listeners engaged.” – Vance R. Koven, Boston Music Intelligencer FEATURING ABOUT THE PERFORMANCE BUY TICKETS On December 18 , The Met Orchestra’s exquisite harpists , Mariko Anraku and Emmanuel Ceysson , will join forces with seven principal players of the Met Orchestra for a celestial afternoon of music making. Their alluring program will include duos and ensemble works featuring the harp by Debussy and Ravel and engaging new music by the award-winning, Ridgewood-based composers Melinda Wagner and Gilad Cohen . PROGRAM Claude Debussy Danses sacree et profane, L. 103 for harp and strings Program Notes Maurice Ravel Ma mere l’oye arranged for two harps Program Notes Gilad Cohen Trio for a Spry Clarinet, Weeping Cello and Ruminating Harp Program Notes Melinda Wagner Pan Journal for harp and string quartet Program Notes Claude Debussy Suite Bergamasque, L. 75 arranged for two harps by Matthieu Martin Program Notes Maurice Ravel Introduction and Allegro for harp, flute, clarinet, and string quartet Program Notes Meet Met Harpists Emmanuel Ceysson and Mariko Anraku: Emmanuel Ceysson performs Ravel’s Introduction and Allegro: Mariko Anraku performs Fauré’s Impromptu, Op. 86:

SUNDAY, MARCH 6, 2016 AT 3 PM Escher String Quartet BUY TICKETS ESCHER STRING QUARTET “The Escher players seemed to make time stand still, effortlessly distilling the essence of this introspective music with expressive warmth and a natural confiding intimacy.” — Chicago Classical Review FEATURING ABOUT THE PERFORMANCE BUY TICKETS The Escher String Quartet is one of the fastest-rising young chamber ensembles. Championed by the Emerson Quartet, the Escher Quartet is one of the few ensembles to be awarded the prestigious Avery Fisher Career Grant. Within months of its inception in 2005, the Escher Quartet was invited by both Pinchas Zukerman and Itzhak Perlman to be Quartet in Residence at each artist’s summer festival. Today the quartet is in demand worldwide and serves as Artists of The Chamber Music Society of Lincoln Center. The Escher Quartet takes its name from the Dutch graphic artist M.C. Escher. The quartet members were inspired by Escher’s method of intricate interplay between individual components to form a cohesive whole. PROGRAM Wolfgang Amadeus Mozart Quartet in D, K. 575 (Prussian No. 1) Program Notes Leoš Janáček Quartet No. 1 (Kreutzer Sonata) Program Notes Franz Schubert Quartet No. 14 in D minor, D. 810 (Death and the Maiden ) Program Notes Escher String Quartet - Beethoven Quartet in A minor, Op. 132, Mvt 2 (CMS) Escher String Quartet - Shostakovich Quartet No. 8, Mvt. 2 (CMS)

SUNDAY, FEBRUARY 20, 2022 AT 3 PM PAUL HUANG AND DANBI UM, VIOLINS JUHO POHJONEN, PIANO BUY TICKETS JUHO POHJONEN, PIANO “Juho Pohjonen demonstrated his elegant musicianship, pearly touch, singing tone, and sensitivity throughout the program…everything about his recital was formidable” — The New York Times PAUL HUANG, VIOLIN Paul Huang possesses a big, luscious tone, spot-on intonation and a technique that makes the most punishing string phrases feel as natural as breathing.” — The Washington Post DANBI UM, VIOLIN “Danbi Um’s playing is utterly dazzling…a marvelous show of superb technique” — The Strad FEATURING ABOUT THE PERFORMANCE BUY TICKETS Two scintillating violinists, Paul Huang and Danbi Um , will collaborate with the superlative Finnish pianist Juho Pohjonen in an exhilarating afternoon of musical treasures by Beethoven, Erich Korngold, Pablo Sarasate, and others. The musical centerpiece will be Afterword , a mesmerizing new work created especially for the ensemble by the award-winning young American composer Chris Rogerson. PROGRAM Erich Wolfgang Korngold Suite from Much Ado about Nothing , Op. 11 Danbi Um, violin; Juho Pohjonen, piano Program Notes Moritz Moszkowski Suite for two violins and piano , Op. 71 Program Notes Ludwig van Beethoven Violin Sonata No. 3 in E-flat major. Op. 12, No. 3 Paul Huang, violin; Juho Pohjonen Program Notes Chris Rogerson Afterword for two violins and piano Program Notes Amy Barlowe Hebraique Elegie for two violins Paul Huang and Danbi Um, violins Program Notes Pablo Sarasate Navarra, Op. 33 for two violins and piano Program Notes Watch violinists Paul Huang and Danbi Um perform Sarasate’s Navarra: Watch this short documentary about violinist Paul Huang: Watch pianist Juho Pohjonen play Rameau’s Keyboard Suite No. 2:

WU HAN, PIANO Pianist Wu Han ranks among the most esteemed and influential classical musicians in the world today. Leading an unusually multifaceted artistic career, she has risen to international prominence through her wide-ranging activities as a concert performer, recording artist, educator, arts administrator, and cultural entrepreneur. In high demand as a recitalist, concerto soloist, and chamber musician, Wu Han has appeared at many of the world’s most prestigious concert series and venues across the United States and around the world. She is a frequent collaborator with many of today’s finest musicians and ensembles. Wu Han appears extensively each season as duo pianist with cellist David Finckel, and in 2012, they were the recipients of Musical America’s 2012 Musicians of the Year award, one of the highest honors granted by the music industry. London’s Musical Opinion said of the duo’s Wigmore Hall debut: “They enthralled both myself and the audience with performances whose idiomatic command, technical mastery and unsullied integrity of vision made me think right back to the days of Schnabel and Fournier, Solomon and Piatigorsky.” In addition to her distinction as one of classical music’s most accomplished performers, Wu Han has established a reputation for her dynamic and innovative approach to the recording studio. In 1997, Wu Han and David Finckel launched ArtistLed, classical music’s first musician-directed and Internet-based recording company, whose catalogue of eighteen albums has won widespread critical acclaim. The duo’s recording for the ArtistLed label of the Rachmaninov, Shostakovich, and Prokofiev sonatas for cello and piano received BBC Music Magazine’s coveted “Editor’s Choice” award. The most recent addition to the ArtistLed catalogue, Wu Han LIVE, was released in December 2014 in collaboration with the Music@Menlo LIVE label and features Wu Han performing solo and chamber works of Mendelssohn, Bach, and Haydn. Now in their third term as Artistic Directors of The Chamber Music Society of Lincoln Center, David Finckel and Wu Han hold the longest tenure since Charles Wadsworth, the founding Artistic Director. They are the founding Artistic Directors of Music@Menlo, a chamber music festival and institute in Silicon Valley that has garnered international acclaim, soon to celebrate its thirteenth season. David Finckel and Wu Han also serve as Artistic Directors of Chamber Music Today, an annual festival held in Seoul, Korea. The festival, now celebrating its fifth anniversary, is at the forefront of expanding the presence of chamber music in the Far East. Wu Han has achieved universal renown for her passionate commitment to nurturing the careers of countless young artists through a wide array of education initiatives. For many years, she taught alongside the late Isaac Stern at Carnegie Hall and the Jerusalem Music Center. Under the auspices of the Chamber Music Society of Lincoln Center, Wu Han and David Finckel direct the LG Chamber Music School, which provides workshops for young artists in Korea. In 2013, Wu Han and David Finckel established a chamber music studio at Aspen Music Festival.

SHAI WOSNER, PIANO Shai Wosner continues to attract international recognition for his exceptional artistry, musical integrity and creative insight. With imaginative programming that communicates his intellectual curiosity, Wosner performs a wide-ranging repertoire from Mozart and Beethoven to Ligeti and composers of his own generation. Hailed by the Financial Times as “an artist to follow keenly”, Wosner’s virtuosity and perceptiveness have made him a favorite among audiences and critics alike. In the 2009-2010 season, Mr. Wosner made his highly acclaimed subscription debut with the Chicago Symphony Orchestra and conducted the Los Angeles Chamber orchestra from the keyboard, in a performance broadcast on National Public Radio. He returned to the BBC Scottish Symphony in both subscription concerts and performance at the Proms with Donald Runnicles and appeared with the BBC Philharmonic in a live broadcast from Manchester’s Bridgewater Hall. He has also performed in solo recitals throughout the US as well as in duo recitals with Viviane Hagner (at the Kennedy Center), Christian Poltéra (at Wigmore Hall in London) and Jennifer Koh. Other recent highlights include his debut with the Cleveland Orchestra; his return to the Atlanta and Houston symphonies and the Chamber Orchestra of Philadelphia; appearances with the North Carolina and Charlotte symphonies and the Sacramento Philharmonic; and solo recitals at the 92nd St. Y in New York, the Musée d’Orsay in Paris and Wigmore Hall. His 2010-2011 season includes subscription concerts with the St. Paul Chamber Orchestra, the Bournemouth Symphony and the National Arts Centre Orchestra, and the release of a solo recording of works by Brahms and Schoenberg on the Onyx label. Wosner will also appear in solo recitals broadcast live on Radio 3 from the Wigmore Hall and Cardiff’s Hoddinott Hall as well as at the Piano Aux Jacobins festival in France. His duo recitals include appearances with Martin Fröst (at Lincoln Center), Dietrich Henschel, and Jennifer Koh. Other recent and upcoming engagements include appearances at the Hay-on-Wye festival, the Stavanger Chamber Music Festival, the Cheltenham Festival, and the City of London Festival. Wosner is the recipient of both an Avery Fisher Career Grant as well as a Borletti-Buitoni Trust Award, which led to the commission of Michael Hersch’s “Along the Ravines”, a concerto for piano and chamber orchestra. He recently completed a residency as a BBC New Generation Artist, during which he played frequently with the BBC orchestras, including appearances conducting Mozart concertos from the keyboard with the BBC Scottish Symphony Orchestra. His performances in recital, chamber music, and orchestral repertoire continue to be broadcast on Radio 3. In recent seasons, he has appeared with numerous major orchestras in North America, including the Los Angeles Philharmonic at the Hollywood Bowl; the National Arts Centre Orchestra; the Philadelphia Orchestra; the St. Paul Chamber Orchestra; the Orpheus Chamber Orchestra; the Fresno Philharmonic; and the symphony orchestras of Chicago, Baltimore, San Francisco, Atlanta, Indianapolis, Dallas, Milwaukee, Columbus and Memphis. In Europe, he has appeared with the Staatskapelle Berlin, the Vienna Philharmonic, the Gothenburg Symphony, the Barcelona Symphony, the Frankfurt Radio Symphony, the Orchestre National de Belgique and the Nieuw Sinfonietta Amsterdam, among others. In 2006, he debuted with the Vienna Philharmonic Orchestra in Salzburg, during the 250th anniversary celebrations of Mozart’s birth. He has work with conductors such as Daniel Barenboim, Zubin Mehta, Leonard Slatkin, Donald Runnicles, Alan Gilbert, Peter Oundjian, Gunther Herbig, James Conlon, Ji_í B_lohlávek and James Judd. Wosner is widely sought after by his colleagues for his versatility and spirit of partnership. As a chamber musician, he has collaborated with numerous esteemed artists including Pinchas Zukerman, Lynn Harrell, Ralph Kirshbaum, Christian Tetzlaff and Cho-Liang Lin. He is a former member of Lincoln’s Center’s Chamber Music Society Two and performs regularly at various chamber music festivals, including Chamber Music Northwest in Portland, the Santa Fe Chamber Music Festival, and the Jerusalem Chamber Music Festival, among others. Other summer festival appearances include the Ravinia Festival, Hollywood Bowl, Mostly Mozart, the Bridgehampton Chamber Music Festival, Grand Teton Music Festival, and Bravo! Vail Valley Music Festival. Recent chamber music engagements include a performance with members of The New York Philharmonic at Avery Fisher Hall; a performance of the Mozart concerto for three pianos with Joseph Kalichstein and Alon Goldstein and the New York String Orchestra with Jaime Laredo at Carnegie Hall; and collaborations with the Tokyo, Miro and Parker string quartets, and the Georgian Chamber Players at Spivey Hall. For several consecutive summers, Wosner was also involved in the West-Eastern Divan Workshop led by Daniel Barenboim and toured as soloist with the West-Eastern Divan Orchestra. Born in Israel, Mr. Wosner enjoyed a broad musical education from a very early age, studying piano with Emanuel Krasovsky as well as composition, theory and improvisation with André Hajdu. He later studied at The Juilliard School with Emanuel Ax. Shai lives in New York City with his wife and daughter.

SUNDAY, JANUARY 19, 2020 AT 3 PM PAUL LEWIS, PIANO BEETHOVEN AND SCHUBERT BUY TICKETS PAUL LEWIS, PIANO “Lewis’ deep insights into the emotional complications of this music were matched by his firm grasp of classical structure and the ways in which Schubert’s lyrical gift illuminates that structure. This was Schubert playing of a very high order.” – Chicago Tribune FEATURING ABOUT THE PERFORMANCE BUY TICKETS The English pianist Paul Lewis is internationally regarded as one of the most poetic artists of his generation. His performances of the core piano works of Beethoven and Schubert have received unanimous critical and public acclaim worldwide. His program will include Beethoven’s cherished “Moonlight” Sonata in C# minor and Schubert’s sublime Sonata in G Major, which Robert Schumann called “Schubert’s most perfect sonata in form and conception.” PROGRAM Beethoven Sonata No. 13 in E-flat major, Op. 27, no. 1, “Quasi una fantasia” Program Notes Beethoven Fantasia in G minor, Op. 77 Program Notes Beethoven Sonata No. 14 in C-sharp minor, Op. 27, no. 2, “Quasi una fantasia” (“Moonlight”) Program Notes Schubert Sonata in G major, D. 894, op. 78 (“Fantasie”) Program Notes Watch Paul Lewis perform Schubert’s final piano sonata in G major:

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YOON KWON, VIOLIN Described by Dorothy DeLay as a violinist with “staggering imagination” and “one of the most expressive tones I’ve ever heard”, violinist Yoon Kwon’s compelling musicianship and dynamic stage presence have won the hearts of audiences around the world. Her performances have earned her critical acclaim across four continents, garnering remarks such as “magic that transcends mere pyrotechnical flash”, “infinitely beautiful sound… holding an audience spellbound”, and “utterly assured and carefree…a talent that kept us enchanted throughout”. Yoon Kwon began her professional career in 1993 as a thirteen-year-old, youngest winner in the history of the New Jersey Symphony Young Artists Auditions joining the roster of IMG Artists, alongside such artists as Itzhak Perlman and Joshua Bell. She has since concertized extensively as soloist with major orchestras and in recitals and chamber music appearances with distinguished musicians. Today, still only in her mid-twenties, Yoon Kwon is a seasoned artist with a remarkable and excitingly versatile career. In addition to her solo appearances, she is currently the youngest first violinist of the Metropolitan Opera Orchestra, a member of the Lincoln Center Chamber Music Society Two, and the lead violinist of her own jazz ensemble, Emergence, appearing regularly in New York City’s jazz clubs. As soloist, Ms. Kwon has appeared abroad with such orchestras as the Cologne Philharmonic, Warsaw Philharmonic, (it’s 100th season opening gala) Orquesta Sinfonica de Teatro Colon (Argentina), Euro-Asian Philharmonic, Vancouver Symphony, Istanbul State Symphony, and the Mexico State Symphony Orchestra, to name a few. Her numerous US appearances include performances with the symphonies of Cincinnati, Chicago, Colorado, Greenville, Houston, Honolulu, Phoenix, New Jersey, New Mexico, New York, St. Louis, and Wichita, and others. Among the conductors she has collaborated with are James Conlon, Lawrence Foster, Sergiu Commissiona, Paavo Jarvi, Haermann Michael, Stefan Sandering, Alan Gilbert, Tandeuz Strugala, Gurer Aykal, David Lockington, Andre Raphael Smith, and Enrique Batiz. Her recital credits are also numerous: Ravinia Rising Stars Series, St. Louis Great Artist Series, La Jolla Discovery Series, and Aspen Winter Series. During the 1998-2003 seasons, under the auspices of Columbia Artists Community Concerts, Yoon and her sister, pianist Min Kwon, undertook extensive tours of joint recitals and master classes across the US. Yoon Kwon is also a frequent performer at summer festivals, including Marlboro, Aspen, Santa Fe, La Jolla, Tanglewood, Vancouver, Rome and Cassamagiore (Italy), Kuhmo (Finland), and Interlaken, Verbier (Switzerland), collaborating with such distinguished musicians as Andras Schiff, Pinchas Zukerman, Richard Stolzman, Midori, Felix Galimir, Cho-Liang Lin, Robert McDuffie, Daniel Blumenthal, Carter Brey, and members of the Guarneri, Juilliard, and Emerson string quartets. Yoon Kwon released her debut CD on the BMG/RCA Red Seal label in Korea in 1997 to critical acclaim, becoming the first Korean artist to record for the label. She has also recorded You and Me, an album of solo and duo works with pianist Min Kwon, Anthony Newman’s Sonata for Violin and Piano with the composer at the piano. She can be also heard on a jazz album entitled Phoenix on the Songlines label. Yoon Kwon’s captivating and passionate performances have been seen and heard by television and radio audiences worldwide. Ms Kwon has been a feature performer on CBS TV’s New Year’s Eve Peace Concert hosted by Maya Angelou, and broadcast from New York’s Cathedral of St. John the Divine. She has also been featured on NBC TV (USA), TV Stuttgart and WDR (Germany), KBS and SBS TV (Korea), and numerous FM stations across the US. A native of Seoul, Korea, Yoon Kwon began her musical studies at the age of three, studying the piano. At the age of six, she began studying the violin, and two years later was accepted into the Juilliard School, where she studied with the late Dorothy DeLay. In 1997, at the age of the 17, she was the youngest winner in the history of The Juilliard School Concerto Competition, resulting in her Avery Fisher Hall, Lincoln Center debut later that year. Ms. Kwon received her Bachelor and Master of Music degrees as well as the prestigious Artist Diploma from The Juilliard School where she studied with Dorothy DeLay, Hyo Kang, Cho-Liang Lin, and Donald Weilerstein. She was the recipient of the Avery Fisher Stradivarius on loan from The Juilliard School and Sennhouser Guarnerius del Gesu on loan from the Stradivari Society. She also enjoys teaching, and has taught at Columbia University’s Young Musicians Program, Kuhmo International Music Course in Finland, and as assistant to Cho-Liang Lin, at The Juilliard School.

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